Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Annika Ström’s first solo exhibition in Ireland is curated by Aoife Tunney. At Temple Bar Gallery and Studios Dublin, Annika Ström presents a stage for an event: a performance or a talk. It is built out of basic wood and is adorned with textile works from Sweden. The piece is functional as a stage, as we know is used to announce, act out or to express emotions to the public. But this platform is also reminiscent of a piece of furniture, kept in a private space. The meaning is taking place, a performance perhaps: The audience is looking back at themselves and they are participants in this meaning. The sculpture looks on to the stage, and is commenting on the stillness of the room, commenting on the art world. What is the artwork? Who is the artist? What is this event about and when is it going to start? A film of some of Ström's past performances plays in the gallery. They are the sort of performances you could see being delivered on the stage. The sort of emotions the artist could have displayed. The film and the stage are interrupted. This could be the error of presenting artworks.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.

 

Seven Folds in Time by Jaki Irvine, a major new multi-screen video installation commissioned by and made specifically for Temple Bar Gallery. Jaki Irvine’s work in film and video, whether in single-screen format or in more complex multi-screen installations, weaves together enticing, though ultimately elusive narratives in which image and musical score variously overlap, coalesce and diverge. These languid explorations of human interaction with the natural world, the built environment, and with other humans are suffused with a melancholic lyricism, sometimes leavened by a dreamlike humour. Subjectivities split and fragment as the boundaries that separate self from other become fluid or permeable.