Exhibition and silent auction of contemporary Irish art in aid of HAVEN, a charity specialising in rebuilding homes for the people of Haiti.

 

Exhibition and silent auction of contemporary Irish art in aid of HAVEN, a charity specialising in rebuilding homes for the people of Haiti.

 

Exhibition and silent auction of contemporary Irish art in aid of HAVEN, a charity specialising in rebuilding homes for the people of Haiti.

 

BYOB

 

'Land Poisened’ is an exhibition of new work by Sligo artist Colm Rooney. His work draws on personal and social histories, mythology and photography. Rooney is a graduate of Crawford College of Art and Design in Cork and more recently a graduate of the Music and Media Technology Masters in Trinity College Dublin.

 

'Land Poisened’ is an exhibition of new work by Sligo artist Colm Rooney. His work draws on personal and social histories, mythology and photography. Rooney is a graduate of Crawford College of Art and Design in Cork and more recently a graduate of the Music and Media Technology Masters in Trinity College Dublin.

 

'Land Poisened’ is an exhibition of new work by Sligo artist Colm Rooney. His work draws on personal and social histories, mythology and photography. Rooney is a graduate of Crawford College of Art and Design in Cork and more recently a graduate of the Music and Media Technology Masters in Trinity College Dublin.

 

'Land Poisened’ is an exhibition of new work by Sligo artist Colm Rooney. His work draws on personal and social histories, mythology and photography. Rooney is a graduate of Crawford College of Art and Design in Cork and more recently a graduate of the Music and Media Technology Masters in Trinity College Dublin.

 

'Land Poisened’ is an exhibition of new work by Sligo artist Colm Rooney. His work draws on personal and social histories, mythology and photography. Rooney is a graduate of Crawford College of Art and Design in Cork and more recently a graduate of the Music and Media Technology Masters in Trinity College Dublin.

 

'Land Poisened’ is an exhibition of new work by Sligo artist Colm Rooney. His work draws on personal and social histories, mythology and photography. Rooney is a graduate of Crawford College of Art and Design in Cork and more recently a graduate of the Music and Media Technology Masters in Trinity College Dublin.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Celebration of life of Jack Rose who died in December. The lineup includes: Cian Nugent United Bible Studies Mumblin' Deaf Ro Wolflinge Brigid Power Ryce George Worrall. Some DJs will also perform, as will some guests. BYOB.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Yesterday’s Tomorrow Today is an exhibition of new works by Leslie Cullinan and Helena O’Connor. Both artists work collaboratively to examine notions of time through video installation, sculpture and drawings in pencil and ink.

 

Paperplane responds to recent negotiations between European editors and an internet search engine regarding a lucrative and legislated agreement on the digitisation of the world’s books. Fears that the world’s ‘last library’ might be controlled as a commercial enterprise have sparked debate about the future of literature in light of the proliferation of virtual records as well as the simultaneous decline of readership. Digitisation allows for more practical and accessible circulation of texts and for new life to be breathed into forgotten publications. Consequently, however, the book in its physical form becomes a rarefied object of obsolete function.

 

Paperplane responds to recent negotiations between European editors and an internet search engine regarding a lucrative and legislated agreement on the digitisation of the world’s books. Fears that the world’s ‘last library’ might be controlled as a commercial enterprise have sparked debate about the future of literature in light of the proliferation of virtual records as well as the simultaneous decline of readership. Digitisation allows for more practical and accessible circulation of texts and for new life to be breathed into forgotten publications. Consequently, however, the book in its physical form becomes a rarefied object of obsolete function.

 

They say: "Please join us for the Carnegie Reading Circle at the Joinery on Sunday 7 February, 4pm to 6pm. This is an informal, social event where guests are invited for afternoon tea and to read to the group a text or extract from a text on the theme of Technologies. The model is based on the Guestroom, London exhibit at Zoo Art Fair 2009 when guests read from a wide variety of sources such as scientific texts, poetry, hacking guides, historical documents, fictional writing and personal correspondence. Participants are encouraged to be as creative as they please with their choice."

 

Paperplane responds to recent negotiations between European editors and an internet search engine regarding a lucrative and legislated agreement on the digitisation of the world’s books. Fears that the world’s ‘last library’ might be controlled as a commercial enterprise have sparked debate about the future of literature in light of the proliferation of virtual records as well as the simultaneous decline of readership. Digitisation allows for more practical and accessible circulation of texts and for new life to be breathed into forgotten publications. Consequently, however, the book in its physical form becomes a rarefied object of obsolete function.

 

Paperplane responds to recent negotiations between European editors and an internet search engine regarding a lucrative and legislated agreement on the digitisation of the world’s books. Fears that the world’s ‘last library’ might be controlled as a commercial enterprise have sparked debate about the future of literature in light of the proliferation of virtual records as well as the simultaneous decline of readership. Digitisation allows for more practical and accessible circulation of texts and for new life to be breathed into forgotten publications. Consequently, however, the book in its physical form becomes a rarefied object of obsolete function.

 

Paperplane responds to recent negotiations between European editors and an internet search engine regarding a lucrative and legislated agreement on the digitisation of the world’s books. Fears that the world’s ‘last library’ might be controlled as a commercial enterprise have sparked debate about the future of literature in light of the proliferation of virtual records as well as the simultaneous decline of readership. Digitisation allows for more practical and accessible circulation of texts and for new life to be breathed into forgotten publications. Consequently, however, the book in its physical form becomes a rarefied object of obsolete function.

 

Paperplane responds to recent negotiations between European editors and an internet search engine regarding a lucrative and legislated agreement on the digitisation of the world’s books. Fears that the world’s ‘last library’ might be controlled as a commercial enterprise have sparked debate about the future of literature in light of the proliferation of virtual records as well as the simultaneous decline of readership. Digitisation allows for more practical and accessible circulation of texts and for new life to be breathed into forgotten publications. Consequently, however, the book in its physical form becomes a rarefied object of obsolete function.

 

Open Thursday 6 to 8pm. Open all other days 12pm to 6pm. This is by Helena Lehtinen Princess Dress is an exhibition of new photographs by Helena Lehtinen. Her work looks at the beliefs, customs and values acquired from early childhood onwards. The work investigates gender in particular, values that are specific to women in their development from childhood to adulthood.

 

Open Thursday 6 to 8pm. Open all other days 12pm to 6pm. This is by Helena Lehtinen Princess Dress is an exhibition of new photographs by Helena Lehtinen. Her work looks at the beliefs, customs and values acquired from early childhood onwards. The work investigates gender in particular, values that are specific to women in their development from childhood to adulthood.

 

Open Thursday 6 to 8pm. Open all other days 12pm to 6pm. This is by Helena Lehtinen Princess Dress is an exhibition of new photographs by Helena Lehtinen. Her work looks at the beliefs, customs and values acquired from early childhood onwards. The work investigates gender in particular, values that are specific to women in their development from childhood to adulthood.

 

Open Thursday 6 to 8pm. Open all other days 12pm to 6pm. This is by Helena Lehtinen Princess Dress is an exhibition of new photographs by Helena Lehtinen. Her work looks at the beliefs, customs and values acquired from early childhood onwards. The work investigates gender in particular, values that are specific to women in their development from childhood to adulthood.

 

Open Thursday 6 to 8pm. Open all other days 12pm to 6pm. This is by Helena Lehtinen Princess Dress is an exhibition of new photographs by Helena Lehtinen. Her work looks at the beliefs, customs and values acquired from early childhood onwards. The work investigates gender in particular, values that are specific to women in their development from childhood to adulthood.

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)

 

"If These Walls Could Talk" looks to the literal and conceptual presence of the walls and structures that define the urban environment and focuses on how space is re-used, recycled and re-invented to span over lifetimes. For over twenty years, Cairo-born artist Khaled Hafez has explored the continuous reproduction of dichotomies both within and between the popular culture of his native Egypt and that of two of its chief western influences: the United States and France. This exhibition includes the DEAF Film programme selection of video works from Hafez, alongside a video installation from Ahmed El-Shaer (known for his work with the Cairo-based group ‘Medrar: For Contemporary Art’)